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Sunday, September 28, 2014

Carton Consumption & Costing

 Carton, Length: 60 cm
Width: 40 cm
Height: 40 cm
Total Area of Carton:

 =    (L+W) X (W+H) X 2     /   (100 X 100)      +3% Allowance
=   (60+40) X (40 +40) X 2   /   (100 X 100)      +3% Allowance
=   1.6    Square Meter +3% 
=1.6 +.048
=1.648 square meter

In here (BD) Average Cost of,
3 ply = 40 cents /Square meter.
5 Ply=70 Cents /square meter.
7 ply=95 cents /Square meter. 

If carton is  3 ply than multiply 4o cents to area square meter.than it will be result is per carton costing.

Monday, July 14, 2014

CONTAINER SPECIFICATIONS- Part -01

(A) 20 Feet Container:
Length; 228"xWidth; 84"xHeight; 94"
225x84x94 = 1, 288 cubic inch
1800,288/39.37x39.37x39.37=29.50CBM.
A 20 Feet container has an air capacity of 29.50 CBM, but when you ship goods packet in cartons or wooden crates, it can hold about 25-27 CBM.

(B)  40 Feet Container (standard):
Length;474"xWidth;84"xHeight;94"
474x84x94 = 3,742,704 cubic inch
3,742,704/39.37x39.37x39.37 = 61.32 CBM.

A 40 Feet container has an air capacity of 61.32 CBM, but when you ship goods packet in cartons or wooden crates, it can hold about 55-57 CBM.

(C)  40 Feet High Cube Container:
Length;474"xWidth;84"xHeight;106"
474x84x106 = 4,220,496 cubic inch
4,220,496/39.37x39.37x39.37 = 69.15 CBM.
A 40 Feet container has an air capacity of 69.15 CBM, but when you ship goods packet in cartons or wooden crates, it can hold about 65-67 CBM.


Container Specification Chart:

L
W
H
CUFT(cubic Feet)
CBM
CONTAINER   SPC
20'
8'
8' 6"


CONTAINER  
19'4 1/4"
7' 8" 5/8
7' 10"
1165

5.899 mm
2.325 m
2.386 m



L
W
H
CUFT
CBM
CONTAINER   SPC
40'
8"
8' 6"


CONTAINER  
39' 5 5/8"
7' 8 5/8"
7' 10 1/4"
2392

12.02 mm
2.34 mm
2.39 mm



L
W
H
CUFT
CBM
CONTAINER   SPC
40'
8'
9' 6"


CONTAINER  
39' 5"1/2
7' 8"1/2
8' 10 1/4"
2696

12.02 mm
2.35 m
2.69 m



Tuesday, June 17, 2014

DIFFERENT TYPES OF DENIM GARMENTS WASHING-(Part 01)

Introduction:
The distressed jeans that we see around everywhere undergo a wide variety of wet as well as dry treatments to get the desired effects. Destroying denims is as much an art as it is a technique. The direction in Fashion is varied across all areas particularly in denim dry process, whether worn or torn to wrinkled or pressed; these trends can appeal to a wide range of consumers. These can be achieved by variety of denim dry processing techniques which are mainly dependent on physical and on chemical abrasion of the surface dye there by producing different wash-down looks to the denim fabrics. Hot spots are heavy/intense area on thigh or knee, which is made purposely to create used-look & on knee area if any whiskers lines are there, called knee star.


Different types of Dry process for Denim Wash:

Whiskering: 

whiskers are one of the most important design of a used look garment. The idea of whiskers is taken from the worn out lines and impression patterns generated by natural wearing on hips and front thigh area. On old jeans, a number of patterns can be finding consequential to fabric, body shape of user or sitting posture. It is also known as Cat's Whisker.
After Whiskering effect Of Denim Pants
Whiskering process


Whiskering Process: 
Various methods are designed to create this impression on jeans. Such as:- 
Mostly rubber balloons are available with different pattern designs. Garments are mounted on balloons and filled with air to get impressions of whiskers. Garment is scrubbed over pattern carefully with sand paper on engraved pattern lines. This operation requires high skilled labor and who can handle uniformity and sequence in whisker line. Fabric may damage during rubbing if care is not taken. This method is famous for high quality and cost effectiveness.

Sometimes separate patterns  are made and fixed on balloons to make mustaches. These patterns are made of thin rubber sheets and electric wires or rubber cords and pasted on balloons for pattern lines. Thin line patterns are very easy to work in that way but it is not much successful for broad lines.

Engraved patterns on thick board like hard rubber sheets are widely used for whiskers impression making. This idea is very simple to draw lines on rubber sheets and engrave them with blade. Garment is places on sheet and scrapped on specific area to draw this impression on garment. For its low cost patterns, it is most frequently used in small industries especially where the production is not consistent to style.

In some workshops it is done manually with the help of sharp edge rolled on fine wood sticks of pasted on plastic material. Before starting execution, placement and pattern must be marked on garment, this will help operator to execute the pattern right to match the aesthetics of garment.

Sand Blasting: 
Sand Blasting is the process of scrubbing off the garment by blowing high-speed air mixed with very fine particles of sand. This is a very successful and most widely used process for fashion articles. When the surface area of the garment is blasted, white cotton appears beneath the blasted area and the effect appearing is very similar to the worn out jeans. Sand blast provides a very uniform result, which cannot be achieved with its alternates. Its specialty is the merging effect that is blended with such a beauty that it has no difference with natural effect. 

High pressure of air produces a powerful backward thrust to operator so it is always recommended to fix the gun in appropriate stands rather than placing it on shoulders or using it with bare hands. On some fabrics sand blasting is not successful for it covers the characteristics of fabric. Especially in fabrics, which are famous for slob patterns it flattens the look. Specified areas for sand blasting are front thigh, back seat, back panel near bottom or front panel around knee. Some time full body blasting is also done for giving a unique look to fabric. Hot spots may be designed for more real look on front knees or back seat by intense blasting in these areas :

Sand Blasting
Procedure of Sand Blasting: 

  • Individual garment to be processed is taken on a table.
  • Air compressor is started and pressure to be maintained between 3 – 4 kg/sq.cm.
  • Air compressor then stores air in the machine cylinder. Aluminum sand or silicon sand, Al2(SiO4)3, is then taken in the chamber of the blasting machine.
  • Sand and compressed air are then sprayed over the garments at specific points at 10-200 angle by hand spray pipe. 
  • Sands pass into the machine by regulating system.
  • The machine comprises a blasting regulator and a hand regulator to control the amount of sand and compressed air respectively.
  • The angle of sand blowing is very important. Higher the blowing angle, higher the fading effect and higher the risk of fabric damage.
  • Fading is done on pre-marked areas.
  • Sandblasting is a hazardous technique and therefore, the area should be isolated from other working areas.
  • Handling of sandblasting gun is risky therefore, operators should use safety equipments like hand gloves, mask and gown. Production/hour/gun varies from 25 – 45 garments depending upon the degree of fading or extent of fading to be attained. 
Potassium permanganate spray (P.P Spray): 
Potassium permanganate spray is done on jeans to take a bright effect on sand blast area. One important thing about potassium permanganate spray is, this is usually a sporting process to increase the effect of sand blast. Potassium permanganate solution is sprayed on blasted area of jeans garment with the help of normal spray gun. This potassium permanganate spray appears pink on garment when fresh and turns to muddy brown on drying. The garment is hanged in open to dry after potassium permanganate spray and when the potassium permanganate turns its colors completely then it is considered to ready for next process. It is always followed by neutralization process. Sodium Meta bisulphate is most commonly used neutralizer. A number of products are available in market for neutralization process like sodium Meta bisulfate selected on the bases of effect required on blasted area. 

Potassium permanganate sprays concentrations ranges from .25 gm per liter to 15.00 grams per liter depending to required results and fabric types. Usually indigo died fabrics are treated with low concentrations whereas Black Sulfur Fabric requires high concentrations to treat with.
PP spray effect
Process of P.P Spray: 
1. Potassium permanganate spray in best is done in specific spray booths, where rubber dummies are installed for holding garments. Garments are mounted on the dummies and air is filled so the garment is full fit exposed. Specific dummies are used for different sizes and styles, like for kids, men’s, trousers, jackets, shirts etc. The booths are fitted with proper air exhaust system. This system leads the spray to treatment room where the chemical mixed air is usually passed through the water showers. Potassium permanganate is dissolved in water and the clean air is blown to open. Shower water is further treated with mild quantities of neutralizer before adding to main drain. But where the potassium permanganate spray is used in low concentrations then there is now need to treat shower water. This mild potassium permanganate mixed water is rather useful for water reservoirs to keep the water clean and germs free. 
2. Garments are mounted on air-filled rubber dummies and chemical is sprayed on blasted areas. The variables in spray process are as follows: 
  • Distance of spray gun to garment: Less distance will give more defined and sharp effect whereas distant spray will result in more mild and merged effect. Distance ranges from one foot to two and a half feet. 
  • Air to water ratio of gun: This is to be set very carefully. Low air pressure possibly will through KMnO4 drops on garment resulting in bright white spots whereas high pressure will produce very low bright effect spray effect to areas where it is not required. 
Potassium Permanganate Solution Concentration: This will control the extent of brightness.

To Be Continued.............


Wednesday, March 12, 2014

DENIM FABRIC MANUFACTURING PROCESS



The term "Denim" has originated from the city of Nimes in France where "serge de Nimes" was manufactured. Denim is made from a vat dye, the Indigo dye, which is applied to cotton fabric in loosely held form in layers. As far as manufacturing process of denim is concerned, it is similar to that of Grey fabric up to the process of weaving with the only difference that in case of Denim Fabric, it is dyed at the stage of sizing where as in case of Grey Fabric, the decision regarding dyeing stage depends upon the finished product. The details of each process are given below: 

Spinning:
The initial stage of denim production is Opening and Blending. Opening begins with baled cotton fiber being separated into small tufts. A blend of cotton fibers is made on each opening line. These bales are selected using USDA High Volume Instrument (HVI) data, and PCCA's unique computer blending software produces optimal yarn strength. 

Cotton is delivered by air suction from the Opening and Blending lines, through additional cleaning and blending machines, to the Cards. The major functions of Carding are to remove foreign matter and short fibers, form the cotton into a web and convert the web into a rope-like form known as a sliver. 

The drawing process produces a single, uniform sliver from six card slivers. The additional blending, paralleling of fibers and cleaning in this process produces a sliver for Open End and Ring Spinning. For Ring Spinning, however, the sliver must pass through an additional process called Roving. 

Cotton Fibers are formed into a yarn by centrifugal action in Open- End Spinning. Individual fibers are laid down in the groove of a fast spinning rotor and twisted into yarn. After the cotton fibers are spun into yarn, the yarn is wound into a large package. 

Open End Spinning 
The Open End Spinning Machines have robots on each side which automatically pieces up (repairs broken ends). On a different track, they have another robot that automatically doffs (removes full packages) and starts up a new package. The size and quality of each yarn end are monitored by the Barco Profile System to ensure uniformity.

Ring Spinning
In Ring Spinning, the spinning frames receive Roving via a transit system from the roving machine. Yarn is formed from Cotton fibers   that are twisted together after being drafted by passing between three steel rolls and three rubber rolls. The yarn then is wrapped on a bobbin as it spins on a spindle by use of a traveler. The relationship between roll speeds, traveler speeds and spindle speeds controls the amount of twist in the yarn. Ends down levels and production information are gathered by the Uster Ring Expert System. The spinning frames automatically doff bobbins full of yarn and send them to package winding. 

ACG also has the capacity to produce Amsler Open-End yarn, also known as Faux Ring Spun yarn. This technology enables ACG to impart various slub patterns into an Open-End yarn. Denim made from this type of yarn has yarn character and surface interest that cannot be achieved with traditional Open-End yarn. 

Fabric Weaving:
a. Grey Yarn on Cones
Normally yarns received for weaving in cone forms are either from ring spinning or from open end spinning in single or double fold as required. For weaving, yarn used is categorised into:
  • Warp yarn
  • Weft yarn
Normally for Weaving, yarn used as warp should be sufficiently strong to withstand stress and strains exerted during weaving operations. Hence they are having Count Strength Product(CSP) and further sized to increase its strength. The weft yarn is directly used on weaving machines and in some cases, if required, is rewound also so as to enhance its performance in weaving.

b. Warping on Sectional/ Direct Warping
The warp yarn is required to be fed into a sheet form to the weaving machines. At warping, the individual cones are put into the creel (the number of cones depends upon fabric construction) and yarn from individual cones is pulled together in sheet form, wound on a barrel called warping beams (for Direct warping) or on weaving beams (for Sectional Warping). Normally if warp sheet is with patterns of different coloured yarns it is processed on sectional warping machine.

c. Sizing of yarn in Set/ Beam to Beam Position
The object of Sizing is to improve the strength of yarn by chemically binding the fibres with each other and also improve upon its friction resistance capacity by chemically coating the surface of yarn/fibres. Further, number of threads in warpers beam sheet is very less against number of threads required in whole width of fabric. Hence multiplication of sheets by drawing yarns together from many warp beams and again making one sheet is also performed on sizing machine. On sizing, normally, 8-12 % size material on warp thread is applied. This improvement in strength and frictional resistance characteristic of warp yarn is essential because during weaving, yarn has to undergo severe strain & stress as well as frictional operations.

d. Drawing–in
Weaving is basically interlacement of two sets i.e. warp and weft threads in desired sequence and pattern. To obtain this interlacement, warp yarn sheet is bifurcated & opened in the form of two layers/ sheet and weft thread is inserted between so opened two warp sheets. This operation is called shedding. to perform shedding the warp yarn needs to be passed through heald eyes of the heald shafts, this operation is called as drawing-in.

e. Beam Gaiting or Knotting on Loom
The drawn weavers beams are fixed on weaving machines, threads are tied and heald shafts are coupled. This operation is called Beam Gaiting. If undrawn warp threads are directly knotted to the threads of finished beams, it is called Knotting. These operations are essential because normally weavers beam can carry only certain length of warp sheet on it and when so woven, whole length is converted to the fabric by weaving machine. Further warp length is required to be fed which can be done by knotting or gaiting other beams on weaving machine.

f. Weaving
As stated earlier, weaving is interlacing two sets of yarn and making fabric. One set is called warp thread which is in sheet form, the other one is called weft thread which is inserted between two layers of warp sheet by means of a suitable carrier i.e. Shuttle, Projectile, Rapier, Air current, Water current, etc. Depending upon the type of the weaving machines. The different types of technologies available for weaving machines are briefly explained as below:
  • Conventional Shuttle Weaving System by Ordinary Looms or Automatic Looms.
  • Shuttle less Weaving System by Airjet /Waterjet/Rapier/Projectile
Shuttle loom is a conventional Technology with much less production on account of slow speed and excessive wear and tear of machinery. This shuttle loom technology has now become obsolete. Denim is woven through Shuttle less Weaving System by using 96 ZAX-e Type Tsodakoma Corporation’s Airjet looms or rapier looms or projectile looms. These looms are distinguished by weft insertion method, which is briefly discussed hereunder.

Airjet Looms
These types of looms adopt the latest development in Weaving Technology where weft insertion is done with the help of compressed air. A very high weft insertion rate up to 1800 metre per minute is achieved. Compared to rapier and projectile looms, these looms are less versatile but are economical and are used in mass textile production unit like denim. 

Finishing: 
a. Grey Fabric
The finally woven fabric or Grey Fabric, as it is popularly called, wound on a cloth roll is taken out from weaving machines at certain intervals and checked on inspection machines for possibilities of any weaving fault. If such faults are seen anywhere in fabric during inspection, certain corrective steps are taken at weaving, warping, sizing, etc so that they can be minimised in subsequent product. This is a quality control exercise.

b. Denim Fabric
Denim Fabrics woven of 100% cotton would be very strong and durable. Traditionally Blue Denim is warp faced cotton fabric with 3 x 1 twill construction with warp being dyed in a solid colour and weft left un-dyed. The look and quality of the Denim Fabric shall improve after dyeing, the process of which differs from plant to plant. Normally the process of dyeing dictates the technology of Denim manufacturing.

The dyeing for Denim Fabric happens at the sizing stage. Generally there are two most popular methods of dyeing Denim Fabric. They are:
  • Rope Dyeing
  • Sheet Dyeing
A company can adopt any of the methods. In countries like India Sheet Dyeing Method is commonly used for manufacture of its Denim Fabrics, which has following advantages over Rope Dyeing Method:
  • The technology is less capital intensive.
  • The technology is a proven one.
  • The cost of production is lower.
  • The process time is lower.
  • The Sheet Dyeing machines are very easy to operate.
The only defect in Sheet dyeing is that their is a problem of center to selvedge shade variation.

c. Sheet Dyeing Process
This process eliminates a few intermediate processes of the rope dyeing. The yarn sheet is washed with chemicals such as caustic and washing soda and after squeezing the excess water; the yarn sheet is allowed to pass through Dyeing Troughs one time for oxidation and development of dye on yarn. After dyeing, the dyed yarn is washed again with fresh water for two-three times and finalIy squeezed before allowing it to pass through six drying cylinders. The dyed yarn enters the starching device and sizing is done. After sizing, the sized warp beam goes for weaving. After weaving, the woven Denim Fabrics goes for various finishing processes consisting of brushing, singeing, washing, impregnation for dressing and drying. Brushing and singeing should eliminate impurities and help to even the surface of the fabric. Dressing regulates the hand and rigidity of the fabric while compressive shrinking regulates its dimensional stability.

Even today Denim Fabric without Indigo Dyeing is not called authentic Denim. Initially when Denim Fabric entered the fashion market, Denim manufacturers were using Natural Indigo Dye, which was costly and giving a natural finish. Though Synthetic Indigo Dye has gradually replaced Natural Indigo Dye, some unorganised manufacturers still prefer the latter and attract premium after branding them “Natural Dye Used”.

d. Making-Up
Weaving of fabrics on such multi sizes is not economical, hence a standard width fabrics is then sent to making up. Fabrics are cut into the desired width as per size required on this machine. Denim Fabric and Grey Fabric are thoroughly checked for various types of defects such as:
  • Weaving Defects
  • Uneven Dyeing
  • Bleaching and Dyeing Defect
  • Oil Stain
  • Patches
Here the final product is categorised quality-wise. The products then found okay are segregated and sent to packaging department whereas defective ones are sent for correction. After inspection, the sets are wrapped with polythene covers and sent for despatch as per buyer’s specifications.


Dispatch:
Rolls and sets so formed and packed as per buyers’ requirements are then sent for final despatches.

Saturday, February 1, 2014

Different Types of Fabric Defects

Askewed or Bias: condition where filling yarns are not square with warp yarns on woven fabrics or where courses are not square with wale lines on knits.

Back Fabric Seam Impression: backing fabric is often used to cushion fabric being printed.  If there is a joining seam in the backing fabric, an impression will result on printed fabric.

Barre: occurs in circular knit.  Caused by mixing yarn on feed into machine.  Fabric will appear to have horizontal streaks.

Birdseye: caused by unintentional tucking from malfunctioning needle. Usually two small distorted stitches, side by side.  This term should not be confused with birdseye fabric which is in fact created intentionally.

Bowing: Usually caused by finishing.  Woven filling yarns lien in an arc across fabric width: in knits the course lines lie in an arc across width of goods. Critical on stripes or patterns and not as critical on solid color fabrics.

Broken Color Pattern: Usually caused by colored yarn out of place on frame.

Color Out:  the result of color running low in reservoir on printing machine.

Color Smear: The result of color being smeared during printing.

Crease Mark: differs from crease streak in that streak will probably appear for an entire roll.  Crease mark appears where creases are caused by fabric folds in the finishing process. On napped fabric, final pressing may not be able to restore fabric or original condition.  Often discoloration is a problem.

Crease Streak: Occurs in tubular knits.  Results from creased fabric passing through squeeze rollers in the dyeing process.

Drop Stitches: results from malfunctioning needle or jack.  Will appear as holes or missing stitches.

Dye Streak in Printing: Results from a damaged doctor blade or a blade not cleaned properly.  Usually a long streak until the operator notices the problem.

End Out: Occurs in Warp knit.  Results from knitting machine continuing to run with missing end.

Hole: caused by broken needle.

Jerk-in: caused by an extra piece of filling yarn being jerked part way into the fabric by the shuttle.  The defect will appear at the selvage.

Knots:  caused by tying spools of yarn together.

Missing Yarn: Occurs in warp knit.  Results from wrong fiber yarn (or wrong size yarn) placed on warp.  Fabric could appear as thick end or different color if fibers have different affinity for dye.

Mixed End (yarn): Yarn of a different fiber blend used on the warp frame, resulting in a streak in the fabric.

Mottled: Color applied unevenly during printing.

Needle Line: Caused by bent needle forming distorted stitches.  Usually a vertical line.

Open Reed: results from a bent reed wire causing warp ends to be held apart, exposing the filling yarn.  Will be conspicuous on fabrics that use different colored yarns on warp and shuttle.

Pin Holes:  Holes along selvage caused by pins holding fabric while it processes through tenter frame.

Press-Off:  results when all or some of the needles on circular knitting fail to function and fabric either falls off the machine or design is completely disrupted or destroyed.  Many knitting needles are broken and have to be replaced when bad press-off occurs.  Bad press-offs usually start a new roll of fabric.

Printing Machine Stop: Dye or ink smudged along width of fabric as a result of the printing machine stopping.

Print Out of Repair: Caused by print rollers not being synchronized properly.  This results in various colors of the design not being printed in the proper position.

Puckered Selvage: Usually caused by selvage being stretched in finishing or by uneven wetting out in sanforization process.

Runner: caused by broken needle.  The runner will appear as vertical line.  Most machines have a stopping device to stop the machine when a needle breaks.

Sanforize Pucker: Results from uneven wetting out on sanforize; usually caused by defective spray heads.  Fabric will appear wavy or puckering when spread on cutting table.  Difficult to detect while inspecting on inspection machine with fabric under roller tension.

Scrimp: the result of fabric being folded or creased when passing through tenter frames.

Slub (woven fabric): usually caused by an extra piece of yarn that is woven into fabric.  It can also be caused by thick places in the yarn.  Often is caused by fly waste being spun in yarn in the spinning process. 

Slub (Knit fabric): Usually caused by a thick or heavy place in yarn, or by ling getting onto yarn feeds.

Smash: caused by a number of ruptured warp ends that have been repaired.

Soiled Filling or End: Dirty, oily looking spots on the warp or filling yarns, or on packaged-dyed yarn.

Stop Mark: when the loom is stopped, the yarn elongates under tension; when the loom starts again, the slack is woven into the fabric.

Straying End:  Warp Knit.  Caused when an end of yarn breaks and the loose end strays and is knit irregularly into another area.

Thin Place:  often caused by the filling yarn breaking and the loom continuing to run until the operator notices the problem.

Water Spots: Usually caused by wet fabric being allowed to remain too long before drying: color migrates leaving blotchy spots.